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Angelo Maria Amorevoli
Angelo Maria Amorevoli (Venice, 16 September 1716 - Dresden, 15 November 1798) was a leading Italian tenor in Baroque opera.
==Biography==
Angelo Amorevoli began singing in opera seria when he was just thirteen: in 1729 he sang in revivals of the musical dramas, ''Amore e gratitudine'', probably by Flavio Carlo Lanciani, and ''Ottone in villa'' by Antonio Vivaldi. The following year he was on the stage in Rome for Porpora’s operas ''Mitridate'' and ''Siface'', and in Venice for Hasse’s ''Dalisa''. From 1731 to 1735 he took part in major operatic productions in Turin, Milan, and other towns of northern Italy. From 1736 to 1740 he moved to Naples, where he took part in eleven premières, one of which was Sarro’s ''Achille in Sciro'', the drama that inaugurated the Teatro di San Carlo on November 4, 1737.
In 1739 he traveled to Vienna, where he attracted a lot of attention, primarily with his interpretation of Vivaldi’s ''Feraspe''. On December 26, 1740 he took part in the inauguration of the new Teatro Regio in Turin, performing the part of ''Mitrane'' in Francesco Feo's ''Arsace''. In 1741 he made his debut both in Florence, and in London, where he sang several productions at the King's Theatre from October 1741 to May 1743. He returned to Italy from 1744 to 1745 where he was on the stage in Milan. He resolved to move to Dresden in order to be given the chance of singing in Hasse's operas. There, the Hamburg composer would give him the satisfaction of performing the title role in his opera ''Solimano'' which was premièred in 1753.
In 1748 Amorevoli visited Vienna again, and there he met the celebrated librettist and great poet Pietro Metastasio, who highly commended his singing ability, and took part in a third theatre inauguration, at the Burgtheater, singing in Gluck's ''La Semiramide Riconosciuta'' (''Ircano''). He then lived in Milan again from 1748 to 1749 and from 1759 to 1764, the year he decided to retire from the stage. Returned definitively to Dresden, he was engaged by the Saxon Court, but only as a chamber and Church singer, which posts he held until about 1771. He died in Dresden in 1798.
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